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There is much more speed, power, groove, crunch, umph, tiny bits of Thrash-esque moments here and there, even one cheeky Death Metal riff hidden in there once. Servant Of The Mind by contrast seems to be very conscious that the previous album was a bit too far away from their metal side, and is a pretty hard and deliberate course-correct towards heaviness. That’s always been a part of their sound – but not the whole sound, and to me Rewind’ just focused on it too deeply, too often. For me, Rewind’ leaned much too heavily on the band’s radio rock side.
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I first got into the band after seeing them live on the cycle for Seal The Deal & Let’s Boogie, and fell in love instantly, then devouring their back catalogue and becoming obsessed, listening to them more in one year than it takes me a decade to listen to most other bands, but when it finally came time for me to get in on the ground floor with a new release 2019’s Rewind’ was a bit of a disappointment for me (especially at first, but to be fair it was a grower), as it initially felt like it was missing a lot of the charm, variety and quirkiness of their earlier work, and also was significantly less heavy or metallic than my favourite side of Volbeat’s many sided style.
#Which volbeat album is the best full#
I definitely wouldn't classify this as progressive rock, but it is an album full of straightforward rock classics with some nice acoustic guitar thrown in for variety.2021’s Servant Of The Mind is Danish Rock/Metal band Volbeat’s eight studio album, it was produced by Jacob Hansen (with Michael & Rob from the band) and follows up 2019’s Rewind, Replay, Rebound album. All I know is I relish his voice and find myself laughing when he belts out rapid-fire vocals, such as in "Sad Man's Tongue." The songs are pretty simplistic, without much experimentation, but they are also delightfully concise and accomplish precisely what you want in a metal album: get your foot stomping and your head a'wagging. Or maybe his vocal chords are capable of vibrating like a tuning fork. He has a twangy, resonant voice that sounds filtered through a skein of chocolate pudding. The unique singer resembles a cross between James Hetfield and Elvis Presley. An abundance of melodic rhythms makes up for a relative absence of guitar solos, and purist head-bangers will be happy to know that there isn't a single keyboard note to be found on the CD. The songs run the gamut from testosterone-fueled rock to corrosive blues to mournful ballads.
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It's as if someone replaced your bowl of Captain Crunch with lugnuts. Volbeat create catchy, energetic songs with plenty of metal riffery. If you have the opportunity to catch one of their shows, do not pass it by. PS - Volbeat has been touring the US pretty relentlessly in recent years. Is even better than that! If you're into hard rock, heavy metal, punk, or any combination of the three, you owe it to yourself to experience Volbeat.
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Is even better than this album, and that album's follow-up The best part is that the band's follow-up album Rock the Rebel/Metal the Devil was Volbeat's breakthrough album, and beyond that it's simply one of the most exciting metal albums the decade had to offer. From the relentlessly heavy "The Human Instrument" to the melodic and completely captivating "Radio Girl" and "The Garden's Tale" to the Johnny Cash tribute "Sad Man's Tongue" - to this day no Volbeat live set seems complete if these songs aren't played. You can go down the track list and find one classic song after another. The huge guitar riffing, ridiculously catchy, rockabilly-inspired melodies and Michael Poulsen's powerful, distinctive Elvis-inspired vocals are all measurably more effective this time around, and the band's songwriting is just flawless. It's a perfect example of the band's unique sound, which comes across as the unlikely marriage of Metallica, Motorhead, Social Distortion and Johnny Cash.Įverything that made The Strength/The Sound/The Songs such an unforgettable debut is present here, but Rock the Rebel/Metal the Devil was still a huge step forward for Volbeat. Was well received, but it was 2007's Rock the Rebel/Metal the Devil that served as Volbeat's breakthrough album. Danish metal band Dominus had been kicking around for several years before they decided to merge elements of metal and rockabilly and rename themselves Volbeat.